Mimi Garrard Repertory (since 1968)
| Title | Date | Music |
| Alla Marcia | 1968 | Popular |
| Flux | 1968 | Arel |
| Frieze | 1968 | Arel |
| Phosphones | 1969 | Ghent |
| Game | 1970 | Mozart |
| Trivia | 1970 | Popular |
| Spaces | 1971 | Bayle |
| Dualities | 1972 | Ghent |
| Six and 7 | 1972 | Arel |
| Transaction | 1973 | Ghent |
| Dreamspace | 1974 | Trimble |
| Battery Park | 1974 | Ghent |
| Brazen | 1975 | Ghent |
| P’s and Cues | 1976 | Mozart |
| Arc | 1977 | Semegen |
| Vivace | 1978 | Ghent |
| Daily Bread | 1979 | Arranged |
| Suite | 1979 | Mozart |
| Overcoat | 1979 | Anonymous |
| Spaces | 1979 | Bayle |
| Gloves | 1979 | Ragtime |
| Phases | 1980 | Springer |
| Ellipsis | 1980 | Ghent |
| Step on a Crack | 1981 | Weber |
| Currents | 1981 | Bushnell |
| Epicycles | 1982 | Semegen |
| Order | 1982 | Satie |
| Viderunt Omnes | 1984 | Perotin |
| Exchange | 1984 | American Country Dances |
| Rounding | 1984 | Arel |
| Conjurings | 1984 | Thoma |
| Crossings | 1985 | DiDea |
| The Screen | 1985 | Arranged |
| Passes | 1985 | Bushnell |
| Aviary | 1985 | Bushnell |
| Elusion | 1986 | Springer |
| Habitat | 1986 | Bushnell |
| Linear Passes | 1987 | Bushnell |
| Crushed Ice | 1987 | Voice |
| Context | 1987 | Bushnell |
| Prelude | 1987 | Bushnell |
| Matched | 1988 | Bushnell |
| On a Time | 1988 | Bushnell |
| Shift | 1988 | Bushnell |
| Urban USA, a Ritual | 1989 | Bushnell |
| Mundos | 1989 | Mujica |
| Walking on Gravel | 1990 | Early American |
| Moving Toward Two | 1990 | Bushnell |
| Reflection | 1990 | Schubert |
| Sincopes | 1991 | Joplin |
| Time Piece | 1991 | Bushnell |
| El Fin — Recuerdos de Otello | 1991 | Mujica |
| Metrick One | 1992 | Skip Reed |
| Metrick Two | 1992 | Skip Reed |
| Oasis | 1993 | John Adams | On a Time | 1993 | Skip Reed |
| The Other Side of a Coin | 1994 | Skip Reed |
| Renderings | 1995 | Terry Riley |
| Potpourri | 1995 | Dawn Buckholz |
| Tripartita | 1996 | Dawn Buckholz |
| Agua and Fuego | 1996 | Dawn Buckholz |
| Hoodoo Zephyr | 1996 | John Adams |
| Romanze | 1996 | Franz Schubert |
| Earth and Air | 1996 | Dawn Buckholz |
| Reflections on an Ecuadorian Jungle | 1997 | Tom McGrath |
| Wind | 1997 | Dawn Buckholz |
| Animal Spirit | 1998 | Tom McGrath |
| Fantasia | 1998 | Carl Maria von Weber |
| Night Traffic | 1998 | Paul Lansky |
| Angel | 1999 | John Adams |
| Joplin Suite | 1999 | Scott Joplin |
| Galament/Gravement | 1999 | Thomas Ades |
| Double View | 1999 | Thomas Ades |
| Mythos 1 | 2000 | Glen Velez |
| Mythos 2 | 2000 | Dawn Buckholz |
| Ravelette | 2000 | Maurice Ravel |
| Tactile | 2000 | Tom McGrath |
| The Players | 2001 | Arranged |
| In Juxtapositions Doctrine of Signatures | 2001 | Glen Velez |
| Grund | 2001 | Daniel Bernard Roumaine |